Singapore Watercolor Paintings by Ng Woon Lam NWS AWS-DF 黄运南

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Sunday, July 31, 2016

Ng Woon Lam 5th Solo Preview at Li Fine Art Gallery

Ng Woon Lam's 5th Solo Preview :

"In Search of Harmony"

The exhibition will be held at

Bangkok

from 5 to 13, Jan, 2017

http://www.lifineart.com/woonpreview2017.htm

To reserve any of the artworks, please contact Woon Lam directly

HP: 8163 6853

Address for viewing appointment:
#03-32, 19 Tanglin Road
Tanglin Shopping Center
Singapore 247909

http://www.lifineart.com/woonpreview2017.htm

Master of Fine Art (MFA) in Painting from New York Academy of Art

Signature member of National Watercolor Society (NWS) & American Watercolor Society (AWS)

2 Times AWS Bronze Medal of Honor

142nd and 147th International Juried Show 2009 and 2014

Woon Lam has been conferred with Dolphin Fellowship by American Watercolor Society after winning sufficient award points in AWS International Annual Juried Shows.

Tuesday, January 26, 2016

Watercolor Demo at Chinatown, 11am, 30 Jan 2016, (Sat)

Free Watercolor Demo at Chinatown, 11am, 30 Jan 2016, (Sat)

by Ng Woon Lam NWS, AWS-DF

If you like to get a copy of my newly published book

'Practical Applications of Color Theory and Design Concepts'

This is the best time.

I will sign the book for you and you get to see a

Free Watercolor Demo

See You

Wednesday, December 23, 2015

Practical Application of Color Theory and Design Concepts, by Ng Woon Lam

Practical Application of Color Theory and Design Concepts

by Ng Woon Lam, NWS AWS-DF
To purchase the book..

Excited about my 1st Theory Book publication: Practical Applications of Color Theory & Design Concept. Will be launched in Singapore Contemporary Art Show on 21st Jan 2015. Sample pages here: http://ngwoonlam.com/MyBook/SamplePagesPracticalColorTheoryAndDesignConcepts.pdf

Jane Walker : Join us at stand B03 and B18 at the first SG edition of Singapore Contemporary Art Show Jan 21-24 Suntec Singapore Convention & Exhibition Centre as we proudly present a solo 'Artists Dialogue' curation for Woon Lam Ng - with Hua Tye-swee and Jane Walker

Ng Woon Lam nws aws-df mfa

Singapore Contemporary Art Show 2016

Booth 18, Ng Woon Lam NWS, AWS-DF, MFA

Solo Exhibition

presented by Goldmann SAGG Art Gallery

Saturday, October 24, 2015

Joy of Aroma, Ng Woon Lam NWS AWS-DF

Joy of Aroma

by Ng Woon Lam NWS AWS-DF

Singapore Watercolour Society

Joy of Aroma by Ng Woon Lam nws aws df

25" X 34"

Watercolor and Gouache on Paper

Tuesday, July 02, 2013

Ng Woon Lam Watercolors and Oil Paintings 2013, A Tale of 3 Cities

A Tale of 3 Cities
三城记

Ng Woon Lam 3rd Solo Exhibition
黄运南水彩与油画展 2013
@ Penang State Art Gallery
槟城州立艺术画廊

Address : Ground Floor, Dewan Sri Penang
Penang State Art Gallery
Light Street, Penang, 10200, Malaysia

(604) 226 1461
(604) 226 1439

05 Aug 2013 to 18 Aug 2013
Open daily from 9am to 5pm
Close on Public Holidays.

Pls. take note that 08/08 and 09/08 are Hari Raya holidays.
Museum will be closed.

enquiries@penangmuseum.gov.my

You may download a copy of my catalog sample pages here:
http://ngwoonlam.com/sample3rdSolo/3rdSoloCatalogSamplePages.pdf

Opening : 05 Aug 2013

3pm @

Penang State Art Gallery

槟城州立艺术画廊

Saturday, June 08, 2013

论写实 Realistic Art ~~ 黄运南 Ng Woon Lam nws aws

One Arbitrary Write-up that will be published in my new art catalog: 论写实 (Realistic Art), a short paragraph here...
观物者，以眼观物，以心感受；眼观为被动，心思为主动；比较主动思考与被动见物，前者其积极性的记忆，所产生的冲击感会更强烈，因此在某种思考的左古下，产生了强烈的视觉共鸣，而视其为‘真实’，所以能传神。例如：我知道榴莲是香的，见到榴莲就先入为主地想到它的香，而它的香，又与其肉的质感与颜色相连贯，只要画出此两种视觉效果，榴莲就香了。如果完全照抄，其它的像处反而喧宾夺主，抢了前两者呈现香的力量。更简单的说：写实要达到神似，要经过思考、过滤和简化才行。

My concept in realistic art allows me to understand why the delusive likeness is above shape and color duplication. Observation is a passive process while composition is an active process. Therefore, composition process creates a large impact visually. From selective memory and selective decision in composition, an artist creates visual resonance to viewers. Great sense of reality is imposed to viewers through this delusive process, which is meant by spiritual likeness in Chinese art. For example, I know a durian smells good. When I see an image of a durian, my mind starts to relate it to good smell. Its good smell is directly linked with the texture and color of its fruits. If I am able to depict these two qualities, viewers will delusively translate them to its smell. If an artist just duplicates an observation of a durian, the less important parts are equally represented which in turn will reduce the strength of the former two factors. Hence realism here is a result of an essential summary by an artist to allow visual delusion for ‘likeness’.